Some of my long-time readers have begun to notice that my devotional practices seem to have shifted a bit.
A major feature of this surprising change has manifested in that while I still work primarily with Loki, I have begun some major work with Odin.
(Yes. Believe me, no one was more surprised than I was concerning that change – trust me on that.)
The bulk of this work – regarding runes, astral travel, and energy movement – often occurs somewhere within the liminal hours, especially as Tuesday bleeds into Wednesday….
Which lately, has led me to have some rather restless nights, full of much sleep interruption.
*yawn*
Despite how I feel about that, it is the way it has been for the past several weeks now.
So, while walking one of my dogs this AM, this song came up:
….as I was thinking thoughts on how it’s been going concerning working with the Two of Them, and I realized that there are several aspects to these interactions that are expressed rather well through this bit o’ pandoramancy.
Because…yes.
They *do* seem to know just what I need
And They might just have the thing…
because They *both* know what I’d pay to feel.
And… since I’m often prone to being a touch melodramatic when I’m sleep-deprived, I have been known to ask Them to – y’know –
I’ve always felt a profound connection with this song – Bittersweet Symphony, by the Verve.
As I’ve been hearing this song a lot in the past month, the resulting thoughts and feelings that this song generates for me have been rolling about my brain for some time.
I hemmed and hawed about posting these thoughts, as I am aware the subject matter can be quite triggering for some.
And yet, in the spirit of my ‘Keeping It 100’ project – I decided that I might as well share those thoughts today, the intent being that if I come clean about this particular part of my personal history, perhaps someone out there might feel a little less…alone.
***So please be advised: In this post, I discuss my mental illness, including some details/references to episodes of personal self-injury.***
I was once diagnosed with bipolar axis 2, and I thought that I was – for many years.
I even took medication for about 5 years– which I hated doing – because that’s what I was told would help me get a handle on myself and my negative thought patterns, behaviors, and emotions.
(It’s one of my personality traits: I’m pretty much a strict follower of prescribed rules regarding certain aspects of my life. )
Though the high level of prescribed medications actually didn’t help – for obvious reasons I’ll touch upon in a minute – I took my meds as prescribed, without fail.
And yet, I still found myself with a distinct inability to feel happy.
In therapy, I was told to embrace change, to meditate, to talk about my feelings, and to reject negativity.
And this song – Bittersweet Symphony – signified all of these aspects to me:this song resonated deeply with me because it gave me the words to describe my personal struggle with being bipolar.
Because bipolarwas the blanket mood disorder that was ascribed to me.
My being bipolar was the explanation and the reason that I displayed all those ‘negative’ personality traits: moodiness, a penchant for melodrama, emotional instability, anger management issues – even the personal quirks that I talk too fast and too much was ascribed to be further proof that I must be bipolar.(The speed of my delivery must indicate the speed of my thoughts!)
And oddly enough, as much as I hated it, the diagnosis of bipolar was a relief too.
Because being bipolar explained everything.
Even if it didn’t.
When I went off medications in late 2001, my psychiatrist at the time insisted that I shouldn’t because he claimed that possibility that I would self-injure again or attempt suicide.
But my stubbornness er, determination to prove him wrong was a powerful force.
Thus, it is a point of pride for me when I admit that I did not even think of self-injury nor suicide for 12, almost 13 years.
And I admit that I entertained some dark thoughts while I was staying with LOL.
While I am certain that she felt that she was helping me, I realized within that month, that I had simply traded one form of mindfuckery for an even more insidious form of manipulation.
I felt as if my world was falling apart – and I was simply existing between that rock and hard place, and while I should be ashamed of this, I suppose, thoughts of self-injury came rushing forward like an equally manipulative but familiar friend.
(Trigger warning: discussion/reference to self-injury follows)
Now, allow me to point out that the desire to self-injure is not the same as suicidal ideation.
This is a concept that has only recently been recognized by the psychiatric community.
An act of self-injury is not, and should not be conflated as a suicide attempt, and yet I have been in therapy long enough that I can recall when it was difficult to find a therapist/psychiatrist that subscribed to the idea that self-injury event did not equal a suicide attempt.
And yes, I have a ‘helpful’ but essentially misguided Massachusetts social worker to thank for a three day stay in a state mental ward in 1998 to show for that.*
But if you have never self-injured but have always wondered why the fuck self-injuryshould not equalsuicide attempt, allow me to explain my personal take:
When I have self-injured, it has always arisen from my being in an intensely overwhelming emotional state.
Usually my self-injury arises out of a combination of anxiety coupled with despair, as well as – and this is the most important part – a desperate need in me to have control of something. Anything.The levels of my anxiety and despair have reached critical mass and I am not just emotionally overwhelmed – I feel like I have lost control of everything.
Emotionally, my thought-patterns and self-image have swiftly become stuck in an endless dark loop of hopelessness and negativity.
I have likely hurt someone’s feelings with what I’ve said and done.
It is likely that my words and behavior have concerned (if not terrified) someone I love.
I start thinking in absolutes:
Nothing is good.
Everything is wrong.
It is all my fault.
I cannot fix it.
In short
I feel I have lost control of my thoughts and emotions in response to the situation.
Then, that emotional situation might be coupled with the physical symptoms of what is most likely a panic/anxiety attack:
My heart, blood and breath rates are going through the roof. I am bathed in a cold sweat, and all major muscle groups ache and twitch with tension.
My neck is tight, my chest feels constricted.
If I’ve been on a crying and/or screaming jag, it’s likely that I’m become so congested from crying that I am having trouble breathing, my stomach muscles ache from all the clenching/sobbing, and my throat has probably gone raw from screaming/crying.
My head and teeth ache from clenching my jaw, and I cannot seem to regulate my body temperature.
I am shaking.
I feel nauseous.
If I’ve lashed out physically, I might have gone and broken something.
I have likely terrified or upset others with my physical response.
I may feel like I’ve physically lost control of my body and its responses to the situation.
The loss of control – in the combined mental and physical responses –is terrifying.I feel disconnected from myself.I need to get control of something.
I want to get control back.I want to connect again to my body and mind.
And so then, I might focus on the repetitive actions of scratching/picking at my skin.
In extreme cases, I might move to using other implements – usually something with a point or with a sharp edge – and I might proceed in cutting or scraping until I reach the desired level of pain which brings me relief.
It’s the pain, you know.I need to focus on the pain.
It is my attempt to create a little physical pain as a distraction –to distract myself from my mental pain.
The pain is nothing more than a coping strategy – the effort to create a controlled distraction for myself, from myself.
Self-injury is a coping mechanism some people develop to deal with emotional pain.
But self-injury was, in my case, an unhealthy avoidance maneuver/coping mechanism.
But self-injury, in my case, was never a suicide attempt.
I didn’t want to die; I just wanted to have control of something– and in the case of self-injury, it was a cause/effect paradigm that was much easier to control.
When my levels of emotional pain and the anxiety/panic attack sensations were overwhelming (out of control), this was a pain I could handle, something I could control.
Though honestly, I do understand now how my anxious attempts to create sensation-situation I can control could easily lead to damage – anywhere from permanent scarring to accidental death.
(And yes, I do have scars as reminders of several episodes of self-injury.)
So.There’s the background on the memory of my feelings that led to most of my self-injury attempts, which includes that last major self-injury attempt in 1998.
~~~
But back to June 2014 – when my husband and I seemed definitively headed for divorce, I left my husband and I was living with Local Other Lokean.
I was, as you may imagine, feeling an overwhelming level of despair.
(And as I had mentioned before, it was the first time in 12 years that I’d even allowed myself to entertain thoughts of self-injury.That alone was a sign that I was in way over my head indealing with my emotional pain in a healthy way.)
So I checked myself into the closest mental health facility that took my insurance which happened to be in Bartow, FL.
While there, I began therapy, and again, I was put back on bipolar medications, also for the first time in 13 years.
I thought about what my psychiatrist had said to me in 2001, and I had to chuckle: if his understanding of the unmedicated bipolar patient were to be trusted, why did it take me 12 years unmedicated to get to this moment?
The assigned therapist couldn’t answer that question.
As well, she couldn’t answer why the bipolar medications that I had been recently been given (and took as scheduled without fail) for the last 3 months did not seem to have any of the desired effects.
I still couldn’t sleep more than a few hours a night.I felt just as anxious, just as ‘manic’ as ever, though the meds did affect my memory skills and I did have trouble concentrating most of the time.
If calmer meant feeling as if I was uncomfortably drunk to the point of nausea, then I wanted no part of this version of calm.
But I am a follower of rules in regards to my mental health, so when the doctor suggested I try another medication, I did.
So I tried another medication.
And another.
And another.
And yet, it was not until relatively recently that any psychiatrist, social worker or therapist thought to question my bipolar diagnosis.
I would explain what my symptoms were, and they would ask if I ever had a diagnosis.I’d tell them that I was diagnosed with bipolar axis 2 in 1997, and then, they would write me a prescription for another bipolar medication.
And it didn’t seem to matter if the medications didn’t work – I was bipolar, wasn’t I?
I started to wonder.
~~~
Well, finally in April 2016, I started going to another therapist who also had a degree inpsychiatry.
Oddly enough, my bipolar diagnosis was the first thing that he questioned, mostly because I’d begin to question it myself.
So I laboriously described both my past and present symptoms in great detail over the next two months.
As well, we talked about my meditation practice, negative self talk,behavior modifications and mindful choices.
Also, to ease my mind – and satisfy the insurance company – we sat down with the latest DSM of psychiatric disorders and methodically went through the symptom lists of bipolar axis 1 and 2, schizophrenia, OCD, ADHD, borderline personality disorder, and several anxiety disorders.
Turns out, according to his professional opinion, while I am melodramatic, talk fast, and I definitely have my moments of rage and depression, I don’t fit the diagnostic criteria of bipolar either axis one or two.
As well, I am not schizophrenic.
Nor do I have borderline personality disorder.
And I do not have ADHD.
But I do have an anxiety disorder with some rather definite overtones of OCD.
And that, my friends, is all I needed to know.
It’s nice to finally be heard and understood.
As well, it is good to finally be working with a therapist and a correct diagnosis. It’s good to finally be able to function.
While the path to this point was not easy – I am grateful that I am making headway on treating my life-long issues with anxiety and depression.
~~~
* By the way: Thank *you*, Claire! Sending three policemen to meet me at my home directly after our appointment on that miserable January day was an especial treat…and your suggestion/threat to the intake staff that I might require a straitjacket to ‘calm’ me when I arrived at the hospital for intake was a lovely though unnecessary touch.Thank you ever so much for giving me and my powers of self-control the benefit of the doubt!)
During this past month, I have been slowly making my way through Playing with Fire: An Exploration of Loki Laufeyjarson, by Dagulf Loptson.
I am heartened to find corroboration in my belief that one of Loki’s major aspects is as a God of Fire. Now while Loptson connects Loki with specific forms of fire – as both the funeral pyre as well as metaphorical fire of illumination/knowledge – I am delighted to see someone else confirm so many of the personal connections that I have made in my own practices.*
Though I know of several more reconstructionist Lokeans whom I have argued with, who hasten to point out that the connection of Loki with fire is nothing more than a case of mistaken identity – as there is that one instance wherein Loki is loosely conflated with Logi (to whom Loki lost to in that eating contest in Sturluson’s Eddas) and how supposedly, the only other incidental but still mistaken connection was popularized in Richard Wagner’s four part opera, often referred to as The Ring Cycle (Der Ring des Nibelungen).
But, in light of my own experiences, I have always disagreed with the assertion that Loki as a God of Fire is based merely upon accidental conflation that led to mistaken identity.
So three cheers for Peer Corroborated Personal Gnosis, indeed 🙂
~~~
But arguments notwithstanding, I’ve always equated Loki with fire, as He has often written me a burning love letter through pandoramancy
*As well I cannot express enough how exciting it is to gain new knowledge for my path, as Loptson has threaded so many correlations between Loki and Agni, the Rigvedic deity of fire, divine knowledge, and conveyor of sacrifice to the Gods.
There was something about Tyler Joseph’s sing-song delivery of the lyrics that just annoyed the heck out of me.
And yet, almost from the day that I first heard this song, it would *not* get out of my head.
It became a really insistent earworm, nearly on par in annoyance factor with ‘It’s a Small World.’
Then, a dear friend of mine reminded me of the possibility that it could be another example of pandoramancy.*
So, I did what I always do when I come across an incidence of pandoramancy?
I concentrated on listening to the lyrics the next time the song randomly came up.
I thought about what sort of emotions, thoughts and associations came immediately to mind while listening. And since I am a person who is rather particular about words, I Googled the lyrics, so I could familiarize myself better with the lyrics as well.
But it all seemed to no avail, since the lyrics seemed, at first, surprisingly much simpler than I ever would have expected, and yet, the main thing seemed to be how annoyingly repetitive they were:
All my friends are heathens, take it slow Wait for them to ask you who you know Please don’t make any sudden moves You don’t know the half of the abuse All my friends are heathens, take it slow Wait for them to ask you who you know Please don’t make any sudden moves You don’t know the half of the abuse
Welcome to the room of people Who have rooms of people that they loved one day Docked away Just because we check the guns at the door Doesn’t mean our brains will change from hand grenades You’re lovin’ on the psychopath sitting next to you You’re lovin’ on the murderer sitting next to you You’ll think, how’d I get here, sitting next to you? But after all I’ve said, please don’t forget
All my friends are heathens, take it slow Wait for them to ask you who you know Please don’t make any sudden moves You don’t know the half of the abuse
We don’t deal with outsiders very well They say newcomers have a certain smell Yeah, I trust issues, not to mention They say they can smell your intentions You’re lovin’ on the freakshow sitting next to you You’ll have some weird people sitting next to you You’ll think “how did I get here, sitting next to you?” But after all I’ve said, please don’t forget (Watch it, watch it)
(Watch it) All my friends are heathens, take it slow Wait for them to ask you who you know Please don’t make any sudden moves You don’t know the half of the abuse
All my friends are heathens, take it slow (Watch it) Wait for them to ask you who you know (Watch it) All my friends are heathens, take it slow (Watch it) Wait for them to ask you who you know
Why’d you come, you knew you should have stayed I tried to warn you just to stay away And now they’re outside ready to bust It looks like you might be one of us
Okay. The first thing that struck me (aside of the 4 (!) repetitions of that rather long chorus) was the repetitive use of the words they and them and the phrases sittin next to you, watch it, and after all I’ve said please don’t forget.
So I immediately grasped the overall message that whoever they are, they are different than you or me.
They are – let’s see –
Psychopaths.
Murderers.
Weird people.
Freakshows.
So the song definitely seems to be a warning.
And there They are sitting next to you (the listener), and yet you don’t know how these dangerous people suddenly got to be sitting next to you.
Maybe you might love them for their differences ( as in loving on[the psychopath/murderer/freakshow] sitting next to you) but still fear them on some level….because you must watch it.
Because there are possibly valid reasons.
The singer goes on to explain that perhaps you should be nervous, because it’s been established that they are not only dangerous, but abused and distrustful of those who aren’t like themselves. They are easily triggered (take it slow/ don’t make any sudden moves) aggressive (brains will change from hand grenades ), paranoid (Wait until they ask you who you know), and perhaps are prone to display distinctly animal traits of perceiving the intangible (newcomers have a certain smell and they can smell your intentions).
But, surprisingly, by the end of the song, there’s quite a strange twist.
Suddenly not only has the singer identified himself as being one of them (We don’t deal with outsiders very well and Yeah, I have trust issues, not to mention) and he is warning you Why’d you come, you knew you should have stayed
I tried to warn you just to stay away
But you didn’t listen, so…
And now they’re outside ready to bust
Perhaps it is because It looks like you might be one of us
Damn.
So perhaps this is not just a song about the difference between criminals and law-abiding citizens, or even humans versus non-humans but more about how appearances deceive and behavior might not be so telling after all.
Perhaps you never know who is different, who actually is the monster.
Hell, it might even be …you.
Perhaps we are all monsters…it’s just a matter of perception.
And I can attest to their devotion, as I had the pleasure of seeing Twenty One Pilots perform at The Big Ticket in the autumn of last year.
Between the incessant high-pitched prolonged screaming of the pockets of barely post-pubescent females in the crowd, I also noticed that most every fan knew all the lyrics of nearly every song and it would seem that almost every single one of those fans sang those lyrics at the top of their lungs throughout the entire show. You could really tell who was a fan and who was not, to put it mildly.
~~~~
*Pandoramancy is when a random song seems to be not so random after a while. A song which is not just an earworm, but a song that suddenly engenders a reaction in the listener that is oddly dramatic or meaningful through either sudden association or several random yet repeated coincidences. As well, though an incidence of pandoramancy might only occur once, upon listening, there seems to be an over-reaching personal message for the listener inherent in the lyrics, based upon specific situational associations.
Pandoramancy can also refer to a form of divination that uses a playlist (containing a wide variety of music) and music storage software system (such as Pandora or Spotify). This divination operates wherein the querent will direct a question towards the Gods, and the querent then sets the playlist on shuffle, and the next song that comes up on the playlist is the answer.)
I had never heard of this song before – and yet it was suggested on my recommended play list on YouTube – and because I’d left my playlist on autoplay, it played through without my having chosen it early yesterday morning.
But it conveys certain aspects of my feelings quite well.
I have been wanting to write and I promised to write – it was the reason for this month’s writing project (which was not so playfully named ‘Keeping it 100’*) – but as you might notice, I haven’t been keeping up with it this particular July/Month for Loki.
There are reasons, and I am trying to decide if I really want to get into all of them, because Heaven knows, I had plenty that I’d planned to write about, plenty that I’d promised to write about.
It’s more serious than usual in that not only had I promised myself that I’d carry the project through the whole month, I promised Him that I’d write about these topics and that I would carry it through by writing in this blog every day for a month.
We struck a deal of sorts, and I reneged in the sense that I did not follow through on my part.
I had promised to tell a story that I have not told.
It’s not that I had a shortage of posts, or that I never intended to tell the story. As a matter of fact, I have enough posts sitting in draft as well as several other posts written that only require that I cut and past them from the file folder on my laptop where I’ve stored them. They are in order, as I had planned.
You see, it is not that I stopped writing. It is that I did write but I refused to post, and that was what I promised Him that I wouldn’t do. I promised Him that I would share as much of the story as I could, no matter how uncomfortable things got, no matter how controversial the topics were….and yet…
I have not.
So what happened?
I got sick around the 15th of the month, as I may have mentioned in several of my latest posts.
A few of my friends pointed out that if I hadn’t been keeping up with my writing, of course that was understandable.
If I was ill – and I still am recovering from that double ear infection and sinus infection – that it stood to reason that I should rest and recuperate.
Several opined that I was being too hard on myself to think that He wouldn’t understand, that He would insist that I write anyway.
But I wrote every day. The writing is not the hardest part. It has never been the hardest part. He knew (just like anyone else who knows me well) that the purpose of the project had nothing to do with a writer’s block or an inability to express myself.
In essence, what He asked for was that I stop censoring myself; that I stop hiding – privatizing posts, or posting my thoughts in my less-frequented blog. He was asking for me to make my writing entirely public and highly accessible, to post ‘where it counts’ meaning where people could see and respond to my thoughts if they so chose.
He wanted me out of my comfort zone. It was an exercise to force me out of my social anxiety.
And so, He wanted me to stop keeping secrets, to be authentic and unashamed of who I am and what I am and what I do — for one month.
Just for one month, and then I could go back to ‘hiding’ if I so chose.
He didn’t care (because, if you know me, you know that I argued with Him) if ten thousand other people had written about such things ten thousand times before I wrote about them, before I would write about them.
He wants His people to express themselves fully, and He doesn’t care if you’ve all heard the stories before; He places great value on self-expression.
Perhaps it’s more than that: It’s about self-knowledge. It’s about fearlessness.
He wants us all to tell our stories….or at the very least, be fearless and unashamed about telling our stories.
~~~
*Believe me, you have heard this story before:
And yet, you’d better believe He never gets tired of hearing that story.
~~~
So, as you might imagine, I haven’t any VALID excuses.
There is so much that I still need to write about…and tonight, I got this little bit of pandoramancy that seemed to confirm that.
This song:
Evidently, Someone seems to be waiting for me to say something in particular
…as three different friends of mine have pushed this song on me in the last two days:
Do you know Drowning Pool? No? Not so much? Well you’ve got to listen to this song!…it’s a great song. I promise you’ll like it.
and then,
Do you like Drowning Pool? Well, this is my favorite song of theirs. Listen to it!…
And finally…
Hey. Listen…listen to this song, OK? I think it might be… important.
And so, I did.
One friend even sent me a link that to the first copy of the song that she found on YouTube that not only played the song along with lyrics (since I prefer to look at the lyrics while I listen to the song for the first time through) but then had the song lyrics posted a second time through – without the melody – for a total video length of 7 minutes, 40 seconds.
So, it was as if the Universe *really* wanted to make sure I had the access and the opportunity to study the lyrics not just one time through, but twice. O.o
So what could it mean?
Perhaps this song has a specific message that is supposed to serve as a nudge toward me.
Perhaps it’s supposed to be some subtle encouragement from Him
to continue along the same vein as I have been
concerning the story that I’m supposed to be telling this month.
You know, that story that details the main things that I’ve learned on this path, followed by discussion of several of the major ways that my path has changed?
Yes, that one.
Or maybe, there’s no message; the song might signify absolutely nothing at all.
But still…this is a powerful song that has created quite an earworm for me today.
After an amazing 6 day trip to Arizona, I returned home on 28 June.
On 30 June, I attended a concert with my husband, V, to see the metal band, In This Moment perform at the Hard Rock Cafe in Orlando.
It was an enjoyable concert.
In This Moment’s singer Maria Brinks conveys a rather powerful stage presence that pairs incredibly well with her band’s heavy chord driven sound and passionate heavy metal lyrics. As well, Maria struck me as a consummate show-woman in that there was a theatrical and choreographic quality to her band’s show that was quite reminiscent of Lady Gaga in several ways that I hadn’t expected.
But it wasn’t until their final encore that Brinks’ message hit me in full force.
The song – ‘Whore’ – I later discovered is a song that In This Moment often performs as an encore.
Brinks’ speech that opened the song began with an intonation of John 8:7, thusly:
So when they continued asking Him, He lifted Himself up and said unto them, “He that is without sin among you, let him first cast a stone at her.”
This was followed by Brinks approaching center stage, wherein she spoke a litany of words
Stupid. Ugly. Useless. Unworthy.
(They would) call me – Whore.
I am (here to) take back the power of that word!….
(And since my device crapped out in the middle of things, here is a strikingly similar performance ^^^ from ITM’s San Francisco’s ‘Blood at the Orpheum’ in January 2014.)
Meanwhile, I stood in the audience, goosebumps rising on my skin, marveling over how Maria Brinks’ words resonated within me, as she spoke of her desire to reclaim the word, ‘whore.’**
Amidst cheers from the crowd, she continued on upon the importance of being unashamed of being who you are and what you represent.
She expressed the desire to inspire others to become secure in their sexuality, to be aware of their personal power…. and the power and freedom that is possible when we can come to be comfortable in our own skin.
~~~
Maria Brinks’ words struck me profoundly as I stood there considering how, just a few short years ago, such discussion of words like ‘whore’ would have dovetailed nicely into a ‘class’ I had taught several times concerning the inherent power of certain words to make thoughts and ideas manifest.
And how the reclaiming of certain loaded words could lead to spiritually cathartic work… in BDSM.
You see, a few short years ago – around the time when I re-discovered Loki’s presence in my life – I was teaching classes that concerned Words as Ordeal, and how words alone can create a very powerful intersection between spirituality and BDSM.
It was strangely evocative of my class on re-framing shame and transforming discomfort into spiritual energy.
Funny that I should be reminded of that particular portion of my personal history now.
Hm.
~~~
** Frontwoman Maria Brink told Steppin’ Out magazine that despite its title, this is an empowering, beautiful song for women. She explained: “Everything that the word ‘whore’ means, that song rebels against. That song is sarcastic. It’s kind of about learning how to let go of the power that we let other people hold over us with their words with their belittling. Nobody can control us, nobody has the power…. kind of freeing ourselves from the vulnerable, weak parts of us.”
“When somebody calls you something demeaning or hurts you,” Brink added, “we’re the ones letting them hurt us by letting their words be that powerful. It’s about letting go. If you listen to the words: I am the dirt you created. I am your sinner. I am your whore, but let me tell you something — you love me for everything you hate me for. It’s all reverse psychology.”
Brink created the term Women Honoring One Another Rising Eternally to give new meaning away from the derogatory connotation of the “whore” word. “This is an honest and raw movement that needs to be heard,” she exclaimed. “The message behind this song is taking back control. It is about taking the power from a disgusting and degrading word and turning it back around on the accuser. It’s about self-empowerment, love, and liberation.”
Guitarist Chris Howorth added: “One of the best things about the song ‘Whore’ is all the feelings and thoughts that the word alone provokes, and that’s great, but at the end of the day, it’s just a word. The only power it really has is the power that we give it. It’s really just about taking the power back from the word…”