bloodteethandflame

A life in threes

Tag: i believe in pandoramancy

It’s a bittersweet symphony, this life.

 I’ve always felt a profound connection with this song – Bittersweet Symphony, by the Verve.

https://youtu.be/PyP3g6oiQck?t=7s

As I’ve been hearing this song a lot in the past month, the resulting thoughts and feelings that this song generates for me have been rolling about my brain for some time.

I hemmed and hawed about posting these thoughts, as I am aware the subject matter can be quite triggering for some.

And yet, in the spirit of my ‘Keeping It 100’ project – I decided that I might as well share those thoughts today, the intent being that if I come clean about this particular part of my personal history, perhaps someone out there might feel a little less…alone.

***So please be advised: In this post, I discuss my mental illness, including some details/references to episodes of personal self-injury.***

I was once diagnosed with bipolar axis 2, and I thought that I was – for many years.

I even took medication for about 5 years  – which I hated doing – because that’s what I was told would help me get a handle on myself and my negative thought patterns, behaviors, and emotions. 

(It’s one of my personality traits: I’m pretty much a strict follower of prescribed rules regarding certain aspects of my life. )

Though the high level of prescribed medications actually didn’t help – for obvious reasons I’ll touch upon in a minute – I took my meds as prescribed, without fail.

And yet, I still found myself with a distinct inability to feel happy. 

In therapy, I was told to embrace change, to meditate, to talk about my feelings, and to reject negativity.

And this song – Bittersweet Symphony – signified all of these aspects to me:  this song resonated deeply with me because it gave me the words to describe my personal struggle with being bipolar.

Because bipolar was the blanket mood disorder that was ascribed to me.

My being bipolar was the explanation and the reason that I displayed all those ‘negative’ personality traits: moodiness, a penchant for melodrama, emotional instability, anger management issues – even the personal quirks that I talk too fast and too much was ascribed to be further proof that I must be bipolar.  (The speed of my delivery must indicate the speed of my thoughts!)

And oddly enough, as much as I hated it, the diagnosis of bipolar was a relief too.  

Because being bipolar explained everything.

Even if it didn’t.

When I went off medications in late 2001, my psychiatrist at the time insisted that I shouldn’t because he claimed that possibility that I would self-injure again or attempt suicide. 

But my stubbornness er, determination to prove him wrong was a powerful force.

Thus, it is a point of pride for me when I admit that I did not even think of self-injury nor suicide for 12, almost 13 years.

But when my 20 year marriage was on the rocks and I left my husband in the summer of  2014,  to stay with LOL, my self esteem was at an all time low.  

And I admit that I entertained some dark thoughts while I was staying with LOL.

While I am certain that she felt that she was helping me, I realized within that month, that I had simply traded one form of mindfuckery for an even more insidious form of manipulation. 

I felt as if my world was falling apart – and I was simply existing between that rock and hard place, and while I should be ashamed of this, I suppose, thoughts of self-injury came rushing forward like an equally manipulative but familiar friend.   

 (Trigger warning: discussion/reference to self-injury follows)

Now, allow me to point out that the desire to self-injure is not the same as suicidal ideation.

This is a concept that has only recently been recognized by the psychiatric community. 

An act of self-injury is not, and should not be conflated as a suicide attempt, and yet I have been in therapy long enough that I can recall when it was difficult to find a therapist/psychiatrist that subscribed to the idea that self-injury event did not equal a suicide attempt. 

And yes, I have a ‘helpful’ but essentially misguided Massachusetts social worker to thank for a three day stay in a state mental ward in 1998 to show for that.* 

But if you have never self-injured but have always wondered why the fuck self-injury should not equal suicide attempt, allow me to explain my personal take:

When I have self-injured, it has always arisen from my being in an intensely overwhelming emotional state. 

Usually my self-injury arises out of a combination of anxiety coupled with despair, as well as – and this is the most important part – a desperate need in me to have control of something. Anything.  The levels of my anxiety and despair have reached critical mass and I am not just emotionally overwhelmed – I feel like I have lost control of everything. 

Emotionally, my thought-patterns and self-image have swiftly become stuck in an endless dark loop of hopelessness and negativity. 

I have likely hurt someone’s feelings with what I’ve said and done.

It is likely that my words and behavior have concerned (if not terrified) someone I love.

I start thinking in absolutes:

Nothing is good.

Everything is wrong.

It is all my fault.

I cannot fix it. 

In short

I feel I have lost control of my thoughts and emotions in response to the situation.

Then, that emotional situation might be coupled with the physical symptoms of what is most likely a panic/anxiety attack:

My heart, blood and breath rates are going through the roof.  I am bathed in a cold sweat, and all major muscle groups ache and twitch with tension.

My neck is tight, my chest feels constricted.

If I’ve been on a crying and/or screaming jag, it’s likely that I’m become so congested from crying that I am having trouble breathing, my stomach muscles ache from all the clenching/sobbing, and my throat has probably gone raw from screaming/crying.

My head and teeth ache from clenching my jaw, and I cannot seem to regulate my body temperature.

I am shaking. 

I feel nauseous.

If I’ve lashed out physically, I might have gone and broken something. 

I have likely terrified or upset others with my physical response.  

I may feel like I’ve physically lost control of my body and its responses to the situation.

The loss of control – in the combined mental and physical responses –  is terrifying.  I feel disconnected from myself.  I need to get control of something.

I want to get control back.  I want to connect again to my body and mind.

And so then, I might focus on the repetitive actions of scratching/picking at my skin.

In extreme cases, I might move to using other implements – usually something with a point or with a sharp edge – and I might proceed in cutting or scraping until I reach the desired level of pain which brings me relief. 

It’s the pain, you know.  I need to focus on the pain. 

It is my attempt to create a little physical pain as a distraction –  to distract myself from my mental pain. 

The pain is nothing more than a coping strategy – the effort to create a controlled distraction for myself, from myself.

Self-injury is a coping mechanism some people develop to deal with emotional pain.

But self-injury was, in my case, an unhealthy avoidance maneuver/coping mechanism.

But self-injury, in my case, was never a suicide attempt. 

I didn’t want to die; I just wanted to have control of somethingand in the case of self-injury, it was a cause/effect paradigm that was much easier to control. 

When my levels of emotional pain and the anxiety/panic attack sensations were overwhelming (out of control), this was a pain I could handle, something I could control. 

Though honestly, I do understand now how my anxious attempts to create sensation-situation I can control could easily lead to damage – anywhere from permanent scarring to accidental death.

(And yes, I do have scars as reminders of several episodes of self-injury.)

So.  There’s the background on the memory of my feelings that led to most of my self-injury attempts, which includes that last major self-injury attempt in 1998.

~~~

But back to June 2014 – when my husband and I seemed definitively headed for divorce, I left my husband and I was living with Local Other Lokean. 

I was, as you may imagine, feeling an overwhelming level of despair.

(And as I had mentioned before, it was the first time in 12 years that I’d even allowed myself to entertain thoughts of self-injury.  That alone was a sign that I was in way over my head in  dealing with my emotional pain in a healthy way.)

So I checked myself into the closest mental health facility that took my insurance which happened to be in Bartow, FL.

While there, I began therapy, and again, I was put back on bipolar medications, also for the first time in 13 years.

I thought about what my psychiatrist had said to me in 2001, and I had to chuckle: if his understanding of the unmedicated bipolar patient were to be trusted, why did it take me 12 years unmedicated to get to this moment?

The assigned therapist couldn’t answer that question.

As well, she couldn’t answer why the bipolar medications that I had been recently been given (and took as scheduled without fail) for the last 3 months did not seem to have any of the desired effects.

I still couldn’t sleep more than a few hours a night.  I felt just as anxious, just as ‘manic’ as ever, though the meds did affect my memory skills and I did have trouble concentrating most of the time. 

If calmer meant feeling as if I was uncomfortably drunk to the point of nausea, then I wanted no part of this version of calm.

But I am a follower of rules in regards to my mental health, so when the doctor suggested I try another medication, I did.

So I tried another medication.

And another.

And another.

And yet, it was not until relatively recently that any psychiatrist, social worker or therapist thought to question my bipolar diagnosis. 

I would explain what my symptoms were, and they would ask if I ever had a diagnosis.  I’d tell them that I was diagnosed with bipolar axis 2 in 1997, and then,  they would write me a prescription for another bipolar medication.  

And it didn’t seem to matter if the medications didn’t work – I was bipolar, wasn’t I?

I started to wonder.

~~~

Well, finally in April 2016, I started going to another therapist who also had a degree in  psychiatry.

Oddly enough, my bipolar diagnosis was the first thing that he questioned, mostly because I’d begin to question it myself. 

So I laboriously described both my past and present symptoms in great detail over the next two months. 

As well, we talked about my meditation practice, negative self talk,  behavior modifications and mindful choices.  

Also, to ease my mind – and satisfy the insurance company – we sat down with the latest DSM of psychiatric disorders and methodically went through the symptom lists of bipolar axis 1 and 2, schizophrenia, OCD, ADHD, borderline personality disorder, and several anxiety disorders.

Turns out, according to his professional opinion, while I am melodramatic, talk fast, and I definitely have my moments of rage and depression, I don’t fit the diagnostic criteria of bipolar either axis one or two. 

As well, I am not schizophrenic. 

Nor do I have borderline personality disorder.

And I do not have ADHD.

But I do have an anxiety disorder with some rather definite overtones of OCD.

And that, my friends, is all I needed to know.

It’s nice to finally be heard and understood.

As well, it is good to finally be working with a therapist and a correct diagnosis.  It’s good to finally be able to function.

While the path to this point was not easy – I am grateful that I am making headway on treating my life-long issues with anxiety and depression.

~~~

* By the way: Thank *you*, Claire!   Sending three policemen to meet me at my home directly after our appointment on that miserable January day was an especial treat…and your suggestion/threat to the intake staff that I might require a straitjacket to ‘calm’ me when I arrived at the hospital for intake was a lovely though unnecessary touch.  Thank you ever so much for giving me and my powers of self-control the benefit of the doubt!)

A burning love letter.

During this past month, I have been slowly making my way through Playing with Fire: An Exploration of Loki Laufeyjarson, by Dagulf Loptson.

I am heartened to find corroboration in my belief that one of Loki’s major aspects is as a God of Fire.   Now while Loptson connects Loki with specific forms of fire – as both the funeral pyre as well as metaphorical fire of illumination/knowledge – I am delighted to see someone else confirm so many of the personal connections that I have made in my own practices.*

Though I know of several more reconstructionist Lokeans  whom I have argued with, who hasten to point out that the connection of Loki with fire is nothing more than a case of mistaken identity – as there is that one instance wherein Loki is loosely conflated with Logi (to whom Loki lost to in that eating contest in Sturluson’s Eddas) and how supposedly, the only other incidental but still mistaken connection was popularized in Richard Wagner’s four part opera, often referred to as The Ring Cycle (Der Ring des Nibelungen).

But, in light of my own experiences, I have always disagreed with the assertion that Loki as a God of Fire is based merely upon accidental conflation that led to mistaken identity.

So three cheers for Peer Corroborated Personal Gnosis, indeed 🙂

~~~

But arguments notwithstanding, I’ve always equated Loki with fire, as He has often written me a burning love letter through pandoramancy

Pardon Me by Incubus

Burn The Cure

In Your Eyes Peter Gabriel

I Caught Fire in Your Eyes The Used

And His latest….

I Am the Fire Halestorm

And that has always been with His assertion:

I would like to see you burning.

burnhigher

~~~~~

*As well I cannot express enough how exciting it is to gain new knowledge for my path, as Loptson has threaded so many correlations between Loki and Agni, the Rigvedic deity of fire, divine knowledge, and conveyor of sacrifice to the Gods.

 

Perhaps we are all monsters.

At first, I hated this song.

Like really *hated* it.

There was something about Tyler Joseph’s sing-song delivery of the lyrics that just annoyed the heck out of me.

And yet, almost from the day that I first heard this song, it would *not* get out of my head.

It became a really insistent earworm, nearly on par in annoyance factor with ‘It’s a Small World.’

Then, a dear friend of mine reminded me of the possibility that it could be another example of pandoramancy.*

So, I did what I always do when I come across an incidence of pandoramancy?

I concentrated on listening to the lyrics the next time the song randomly came up.

I thought about what sort of emotions, thoughts and associations came immediately to mind while listening.   And since I am a person who is rather particular about words, I Googled the lyrics, so I could familiarize myself better with the lyrics as well.

But it all seemed to no avail, since the lyrics seemed, at first, surprisingly much simpler than I ever would have expected, and yet, the main thing seemed to be how annoyingly repetitive they were:

All my friends are heathens, take it slow
Wait for them to ask you who you know
Please don’t make any sudden moves
You don’t know the half of the abuse
All my friends are heathens, take it slow
Wait for them to ask you who you know
Please don’t make any sudden moves
You don’t know the half of the abuse

Welcome to the room of people
Who have rooms of people that they loved one day
Docked away
Just because we check the guns at the door
Doesn’t mean our brains will change from hand grenades
You’re lovin’ on the psychopath sitting next to you
You’re lovin’ on the murderer sitting next to you
You’ll think, how’d I get here, sitting next to you?
But after all I’ve said, please don’t forget

All my friends are heathens, take it slow
Wait for them to ask you who you know
Please don’t make any sudden moves
You don’t know the half of the abuse

We don’t deal with outsiders very well
They say newcomers have a certain smell
Yeah, I trust issues, not to mention
They say they can smell your intentions
You’re lovin’ on the freakshow sitting next to you
You’ll have some weird people sitting next to you
You’ll think “how did I get here, sitting next to you?”
But after all I’ve said, please don’t forget
(Watch it, watch it)

(Watch it)
All my friends are heathens, take it slow
Wait for them to ask you who you know
Please don’t make any sudden moves
You don’t know the half of the abuse

All my friends are heathens, take it slow
(Watch it)
Wait for them to ask you who you know
(Watch it)
All my friends are heathens, take it slow
(Watch it)
Wait for them to ask you who you know

Why’d you come, you knew you should have stayed
I tried to warn you just to stay away
And now they’re outside ready to bust
It looks like you might be one of us

Written by Tyler Joseph • Copyright © Warner/Chappell Music, Inc

 

Okay.   The first thing that struck me (aside of the 4 (!) repetitions of that rather long chorus) was the repetitive use of the words they and them and the phrases sittin next to you, watch it, and after all I’ve said please don’t forget.

So I immediately grasped the overall message that whoever they are, they are different than you or me.

They are – let’s see –

Psychopaths.

Murderers.

Weird people.

Freakshows.

So the song definitely seems to be a warning.

And there They are sitting next to you (the listener), and yet you don’t know how these dangerous people suddenly got to be sitting next to you.

Maybe you might love them for their differences ( as in loving on[the psychopath/murderer/freakshow]  sitting next to you) but still fear them on some level….because you must watch it.

Because there are possibly valid reasons.

The singer goes on to explain that perhaps you should be nervous, because it’s been established that they are not only dangerous, but abused and distrustful of those who aren’t like themselves.  They are easily triggered (take it slow/ don’t make any sudden moves) aggressive (brains will change from hand grenades ), paranoid  (Wait until they ask you who you know), and perhaps are prone to display distinctly animal traits of perceiving the intangible (newcomers have a certain smell and they can smell your intentions).

But, surprisingly, by the end of the song, there’s quite a strange twist.

Suddenly not only has the singer identified himself as being one of them (We don’t deal with outsiders very well and Yeah, I have trust issues, not to mention) and he is warning you
Why’d you come, you knew you should have stayed
I tried to warn you just to stay away

But you didn’t listen, so…

And now they’re outside ready to bust

Perhaps it is because
It looks like you might be one of us

 

Damn.

So perhaps this is not just a song about the difference between criminals and law-abiding citizens, or even humans versus non-humans but more about how appearances deceive and behavior might not be so telling after all.

Perhaps you never know who is different, who actually is the monster.

Hell, it might even be …you.

Perhaps we are all monsters…it’s just a matter of perception.

~~~

Though on a whole other level, some fans have theorized that the deeper meaning of this song is actually aimed toward the newest fans of the band – as the fans of Twenty One Pilots – the Skeleton Clique – can seem pretty devoted.

And I can attest to their devotion, as I had the pleasure of seeing Twenty One Pilots perform at The Big Ticket in the autumn of last year.

Between the incessant high-pitched prolonged screaming of the pockets of barely post-pubescent females in the crowd, I also noticed that most every fan knew all the lyrics of nearly every song and it would seem that almost every single one of those fans sang those lyrics at the top of their lungs throughout the entire show.  You could really tell who was a fan and who was not, to put it mildly.

~~~~

*Pandoramancy is when a random song seems to be not so random after a while.  A song which is not just an earworm, but a song that suddenly engenders a reaction in the listener that is oddly dramatic or meaningful through either sudden association or several random yet repeated coincidences.  As well, though an incidence of pandoramancy might only occur once, upon listening, there seems to be an over-reaching personal message for the listener inherent in the lyrics, based upon specific situational associations.

Pandoramancy can also refer to a form of divination that uses a playlist (containing a wide variety of music) and music storage software system (such as Pandora or Spotify).  This divination operates wherein the querent will direct a question towards the Gods, and the querent then sets the playlist on shuffle, and the next song that comes up on the playlist is the answer.)

 

Post-ritual pandoramancy

This is a perfect example of pandoramancy.

I had never heard of this song before – and yet it was suggested on my recommended play list on YouTube – and because I’d left my playlist on autoplay, it played through without my having chosen it early yesterday morning.

But  it conveys certain aspects of my feelings quite well.

On a related note…

To this entry.

This song will not seem to get out of my head.

I have heard this song at least a dozen times today, through various channels and means, so I thought that I’d post it….

Y’know, just to acknowledge to the Universe that I’m hearing it.

If anything, it seems to imply that I have some ways to go in dealing with my anger issues.

:-/

 

Month for Loki, Day 17: Distraction.

So.  I am still sick with the flu that I’d caught from V the week before last.

And I was talking to a friend – who is spirit-touched and a Reiki practitioner – about my symptoms the other day.

You see, I have been suffering a great deal of sinus congestion, a headache, and most concerning of all, I have had a near-constant nosebleed for the past week.

My friend was pointing out that the combination of sinus congestion followed by nosebleeds could indicate the opening of my third eye.

And I was surprised to hear that, as I have always felt that I am almost completely headblind, but since my return from Arizona (following the ritual that occurred there), I have felt more ‘open,’ and as a result, I have had several rather vivid experiences.

Though I hadn’t thought to connect the increase in my experiences with the frequency of my nosebleeds.

~~~

(8:30 AM)

I have been stressing about what I should be writing again.

I woke  up about 30 minutes ago.

I hadn’t intended on getting out of bed.  I was still in that hypnogagic state, when I rolled toward the edge of the bed, and ‘sensed’ Loki there.   He was standing there by the bed, and I distinctly remember muttering, ‘Let’s go.’

I had just awakened from a vivid dream concerning a small body of water, because I could recall seeing Him standing in the water, naked to the waist, waiting for me to join Him.  And how, upon wading in, I received a clear visual of a short poem.

It looked like an Internet meme tile.

It was a poem about an experience – a magical experience – written by someone named Walter.

Unlike other times when I have dreamt of written words, the visual image of these words appeared surprisingly clear and easy to read, in black ink on a yellow lined paper.**

I think that I had been reading this paper.

But something had distracted me.

(Oddly enough, I could still hear the TV in the bedroom in the background — and it was distracting me.  I could distinctly hear some news channel commentary concerning Donald Trump and Hilary Clinton, and all of that.)

I recall that I had been reading this poem to myself, as if I had been trying to memorize it, as I may have been intending to make a post of it today.

But then, I’d begun to wake up.

I am trying to think of what this poem had made me think and feel – as I’d felt that I’d almost had it memorized – but then I’d let the TV distract me.

All I can remember was the first line:

Let us go to the well, and you will chart your first experience here…

I recall that the poem had a lilting sort of subtle rhythm as I whispered the words to myself – possibly an ABBA or even an ABCD-ABCD rhyme scheme.  I was amazed that I’d been able to see the words so clearly as I’d spoken them aloud, and I remember thinking that I wasn’t that deeply asleep and yet, so deep and so clear were the words that I was speaking.  I repeated them to myself several times – but somehow – how? why? – had I allowed the TV to intrude, rather than to ignore it and focus on what I had been saying?

Maybe this is not about my memory of the poem at all.

Perhaps this is the lesson:

The words, the experiences would all be clear to me if I allowed them to be.

And yet I jump away from away from these experiences and cast about for a distraction to take my focus away from them, from the possibility of recalling them.

(Perhaps this is what He means when He insists that I am still running; I am still afraid.)

We are standing at the Well of Memory and I am fussing over poetry?

Relax. 

Relax.  Let yourself be like water. The words were flowing over you, were they not?

You asked for a session.  This was your session. 

You heard [the television], yes, but you still had access to your vision of Me, and what We were doing…

These things can and do co-exist.

These ‘realities’ are nothing more than undercurrents of each other and you can tap into these multiple streams at any time that you wish.

(Am I so skilled as all that…or is it simply that easy?)

Yes…and no.  It is that simple, but, as you might guess, it is not EASY.

Do you see the way you struggle with relaxing, with remembering? Let go of your need to describe every detail and just allow the flow.

That is the lesson.  Stop putting these rules and  all these parameters on it.  Stop trying to document the experience as you are experiencing it and just let yourself see, let yourself feel, and you will remember it.

Stop thinking of these experiences as something unusual that is only given to you in pieces with all those attendant fears that suddenly you will forget.  

Let yourself remember. Let yourself relax.  

The fear drives it away from you, pushes it away from your understanding.  

You will forget if you are always afraid to forget.

~~~

When I realized that I’d fully awakened, I blew my nose.  There was blood coming out of my left nostril again.

(Clear out this logic…trust this process rang in my head.)

Perhaps this is what was meant when another Lokean friend and I were discussing this project at the beginning of the month.

I’d asked Him for a clue, a means to begin the project, and He’d said (through her, through some automatic writing):

Be fluid.  Be more fluid.

~~~

And related to these hypnagogic conversations, here’s bit of pandoramancy:

 

 

~~~

 

 

 

Month for Loki, Day 15: Waiting for you to say anything.

So.

We are halfway through the month now.

There is so much that I still need to write about…and tonight, I got this little bit of pandoramancy that seemed to confirm that.

This song:

Evidently, Someone seems to be waiting for me to say something in particular

…as three different friends of mine have pushed this song on me in the last two days:

Do you know Drowning Pool?  No?  Not so much?  Well you’ve got to listen to this song!…it’s a great song.  I promise you’ll like it.

and then,

Do you like Drowning Pool?  Well, this is my favorite song of theirs.  Listen to it!…

And finally…

Hey.  Listen…listen to this song, OK?  I think it might be… important.

And so, I did.

One friend even sent me a link that to the first copy of the song that she found on YouTube that not only played the song along with lyrics (since I prefer to look at the lyrics while I listen to the song for the first time through) but then had the song lyrics posted a second time through – without the melody – for a total video length of 7 minutes, 40 seconds.

So, it was as if the Universe *really* wanted to make sure I had the access and the opportunity to study the lyrics not just one time through, but twice. O.o

So what could it mean?

Perhaps this song has a specific message that is supposed to serve as a nudge toward me.

Perhaps it’s supposed to be some subtle encouragement from Him

                         to continue along the same vein as I have been

                                           concerning the story that I’m supposed to be telling this month.

You know, that story that details the main things that I’ve learned on this path, followed by discussion of several of the major ways that my path has changed?

Yes, that one.

Or maybe, there’s no message; the song might signify absolutely nothing at all.

But still…this is a powerful song that has created quite an earworm for me today.

~~~

Oh…and in case that I had it in mind to

I dunno

Start running away from Him

again

here’s another bit o’ pandoramancy:

Point taken, Sir.

Month for Loki, Day 3: Word.

After an amazing 6 day trip to Arizona, I returned home on 28 June.

On 30 June, I attended a concert with my husband, V, to see the metal band, In This Moment perform at the Hard Rock Cafe in Orlando.

It was an enjoyable concert.

In This Moment’s  singer Maria Brinks conveys a rather powerful stage presence that pairs incredibly well with her band’s heavy chord driven sound and passionate heavy metal lyrics.   As well, Maria struck me as a consummate show-woman in that there was a theatrical and choreographic quality to her band’s show that was quite reminiscent of Lady Gaga in several ways that I hadn’t expected.

But it wasn’t until their final encore that Brinks’ message hit me in full force.

The song – ‘Whore’ – I later discovered is a song that In This Moment often performs as an encore.

Brinks’ speech that opened the song began with an intonation of John 8:7, thusly:

So when they continued asking Him, He lifted Himself up and said unto them, “He that is without sin among you, let him first cast a stone at her.”

This was followed by Brinks approaching center stage, wherein she spoke a litany of words

Stupid. Ugly. Useless.  Unworthy. 

(They would) call me – Whore.

I am (here to) take back the power of that word!….

(And since my device crapped out in the middle of things, here is a strikingly similar performance ^^^ from ITM’s San Francisco’s ‘Blood at the Orpheum’ in January 2014.)

Lyrics here

Meanwhile, I stood in the audience, goosebumps rising on my skin, marveling over how Maria Brinks’ words resonated within me, as she spoke of  her desire to reclaim the word, ‘whore.’**

Amidst cheers from the crowd, she continued on upon the importance of being unashamed of being who you are and what you represent.

She expressed the desire to inspire others to become secure in their sexuality, to be aware of their personal power…. and the power and freedom that is possible when we can come to be comfortable in our own skin.

~~~

Maria Brinks’ words struck me profoundly as I stood there considering how, just a few short years ago, such discussion of words like ‘whore’ would have dovetailed nicely into a ‘class’ I had taught several times concerning the inherent power of certain words to make thoughts and ideas manifest.

And how the reclaiming of certain loaded words could lead to spiritually cathartic work… in BDSM.

You see, a few short years ago – around the time when I re-discovered Loki’s presence in my life – I was teaching classes that concerned Words as Ordeal, and how words alone can create a very powerful intersection between spirituality and BDSM.

It was strangely evocative of my class on re-framing shame and transforming discomfort into spiritual energy.

Funny that I should be reminded of that particular portion of my personal history now.

Hm.

~~~

** Frontwoman Maria Brink told Steppin’ Out magazine that despite its title, this is an empowering, beautiful song for women. She explained: “Everything that the word ‘whore’ means, that song rebels against. That song is sarcastic. It’s kind of about learning how to let go of the power that we let other people hold over us with their words with their belittling. Nobody can control us, nobody has the power…. kind of freeing ourselves from the vulnerable, weak parts of us.”

“When somebody calls you something demeaning or hurts you,” Brink added, “we’re the ones letting them hurt us by letting their words be that powerful. It’s about letting go. If you listen to the words: I am the dirt you created. I am your sinner. I am your whore, but let me tell you something — you love me for everything you hate me for.   It’s all reverse psychology.”

Brink created the term Women Honoring One Another Rising Eternally to give new meaning away from the derogatory connotation of the “whore” word. “This is an honest and raw movement that needs to be heard,” she exclaimed. “The message behind this song is taking back control. It is about taking the power from a disgusting and degrading word and turning it back around on the accuser. It’s about self-empowerment, love, and liberation.”

Guitarist Chris Howorth added: “One of the best things about the song ‘Whore’ is all the feelings and thoughts that the word alone provokes, and that’s great, but at the end of the day, it’s just a word. The only power it really has is the power that we give it. It’s really just about taking the power back from the word…”

(From Songmeanings.com/whore)

 

Dancing.

A Facebook friend posted this video in my feed today:

And it triggered a lovely memory that I have that is related to this song.

~~~

In April 2015, I went to small weekend-long Pagan sexuality event called Body Magick.

Though I attended by myself, I quickly got the impression that this event was geared towards couples.

I was one of only three other ‘singles’ that attended that weekend.

One of these singles – an older man named Kevin – left before the end of the first day when it became clear to him that Body Magick was not a ‘kinky poly swingers’ event that he’d been assuming that it would be.  (I think the event organizers were somewhat relieved that he left on his own, as his attitude that colored the ‘first impression’ that he made during the introductory circle rubbed several folks in all the wrong ways.)

The other single – a young woman – seemed guarded and cautious.  Though we did converse several times — simply for the fact that we were likely the only attendees with insomnia in the campsite who weren’t actively entertaining/engaging a partner in the late hours of Friday night into the wee hours of Saturday morning – I didn’t find out that much about her.  She told me how she had recently experienced a rather lengthy and contentious divorce, and she sought to attend the event  simply to recover herself and get back her spiritual bearings.

And then, there was me.  Alone, and perhaps a bit lonely.  (My husband – a non-Pagan – had chosen to stay home that weekend, and he had some prior work commitments, as well.)

~~~

But I must say – even though everyone I came in contact with was friendly, the event rituals were well-done, and the energy flow was welcoming and pleasant – I could not shake that dull achy feeling of being at loose ends throughout my weekend at Body Magick.

~~~

So there I was, on Sunday morning, sitting in a lawn chair outside the ‘mess hall’ with a belly full of breakfast pancakes, listening to music on my iPhone.

My earbuds had somehow become damaged, so I decided to listen to my Loki playlist on low volume, as I waited for my husband to pick me up.

As he wasn’t set to arrive for over an hour, I felt like I had some time to kill, so I half-dozed/meditated in the overly-bright April sunlight, with my iPhone in my lap.

And then this song came on.

The song had played about halfway through when suddenly I was shaken out of my reverie by a friendly voice.

What is this song?  I love this song.

I opened my eyes, and I looked up to see a slight, older woman standing in front of me.  She was smiling.

The sun was behind her, so I was grateful for the shade she created.  I returned her smile.  I couldn’t help it.

It’s Walk the Moon, I replied.  It’s called, Shut up and Dance.

She laughed, Would you mind playing that from the beginning?

So I clicked back, and she settled down beside my chair, to listen.  Thank you so much, she whispered.

I watched as she closed her eyes, and she smiled broadly as she listened, her face upturned towards the sunlight.

Again, the song reached the half-way point, and another person – a young woman, her arms loaded with camping gear – walked past.  I guess she had been on the way to loading up her car.

Hey!  I know that song! she blurted out, stopping short in front of us.

She dropped her heavy gear-bags at my feet with satisfied sigh, as if relieved for the sudden excuse to take a break.

She turned toward the woman on the ground, nudging her.  Don’t you just love this song? she burbled.

The older woman opened one eye: Yes, she grinned broadly, looking up.  They knew each other, so the older woman stood up to greet her with a hug.

And the young woman, unburdened by her gear, warmly embraced her friend.

After a few moments, they broke from their embrace,  and the young woman started to sway.

Won’t you play it again, please, the young woman turned toward me, insistently, I feel like dancing!

OOh, dancing sounds like a great idea, the older women agreed.

So I did.

And I watched as they danced, the movement of their bodies mirroring each other.  I admired the ease and joy of their dance – they seemed entirely unself-conscious and comfortable in their bodies as they were taken up by the rhythms of the song.

Then, they began to sing.

They both looked at me.

Doesn’t this song just make you want to dance? they asked me, during the first instrumental bridge.

The older woman motioned towards me, welcoming me to join them.

I demurred, too shy to dance.

But I did sing along with them.

Suddenly, these two women dancing and our combined singing drew the attention of several other campers on the way to loading their cars.

Next thing you know, a loose half-circle had formed right there in front of me.

Soon enough there was a crowd of twenty or so happy people dancing, singing, enjoying this song, in a spontaneous swirl of swaying color, sound, movement…and laughter.

And I must have played that song four more times in its entirety before our impromptu dance party ended.

 

And I honestly believe that Loki was pleased.

 

 

 

 

 

 

I Am.

Thanks to  Karlesha Silverros for introducing me to this rather Lokean song ❤