I was thinking about the fact that Voodoo Music Fest in New Orleans is about 53 days away.
So I was screwing around on the internet, listening to music and watching videos and I came across this*
Allow me to be Frank, He said.
❤
~~~
* From Frank Turner’s new album aptly titled album, Positive Songs for Negative People
If that’s not an album that I can get behind, I don’t know what is. 😉
I had just returned from walking my dog, and I sat down at the computer to check the Book of Faces to see that Lori – friend of mine – posted a link to this video:
Now, Lori might not know how much I have always loved the original of this song, as it was penned by Leon Russell, but to realize that there’s a version sung by Ray Charles makes it even sweeter.
Thank you, Lori.
You’ve no idea how much I love – and needed – to hear such sweetness today.
❤
It’s not as if I didn’t think about Loki today.
I just spent oh like maybe 2 or 3 hours talking about Him.
Otherwise, I was a slacker.
I promise that I will write a real entry tomorrow.
I swear ❤
I was sketching Loki the other day, and it got me to thinking about how other aspects of Him were showing up in my life back when I was a kid, and yet how a lot of the pieces didn’t fall into place until 2012-2013 or so.
And I got to thinking about what I did after the SitD left (around age 9), and I was thinking about how I used to draw…a lot. I briefly touched upon the subject of those drawings in a post on this blog back in early 2013, but I never wrote out my thoughts as I intended.
Here are those thoughts from my notebook…
(From 27 February 2013)
Something occurred to me this morning that I wanted to write about.
I had a brief visual/sensory upload – an unbidden visual/sensory upload while I was awake – of a man standing in front of me, holding my face in his hands. He is holding my face in his hands as if to make sure that I am making eye contact with him, and he is leaning forward, preparing to whisper into my left ear.
And this visual that I had made me wish that I could sketch out what I saw. I mean, I can draw, but I am not so skilled that I can sketch things out as quickly or as deftly as I would like. Rather I am more likely to get hung up on agonizing over every detail in my sketch so much so that I often lose the flow of the imagery and it fades quickly away before I’ve finished sketching it out.
So I was wishing that I could convey the shifting color of his eyes and the unshaven whiskers on his chin. I wish that I could convey that I had looked down at his feet, and he was wearing dirty black canvas Chuck Taylors, with laces untied and loose. He was wearing faded jeans, a t-shirt, and a shabby cotton overshirt. I remember seeing the silver glint of an earring in his ear, and I noticed the way that his russet hair curled over the collar of his shirt, and how his hair turned a darker auburn toward the ends. I remember noticing the smattering of freckles on the backs of his hands and along his fingers, and how his hands felt slightly calloused but pleasantly warm, holding my face. I remember the trace of his grin, and the way that he slowly blinked and tilted his head, as those light-colored and impossibly bright eyes of his flickered with…satisfaction? Relief? I’m not certain what word I am looking for but when I looked into his eyes, all I could think of was laughter and warmth and…home.
And I wish that I could have drawn that – the image of both my standing there with him and somehow standing outside of myself watching the exchange and the slow dawning of my recognition of who he was.
But I don’t have the skills. I cannot sketch this fast enough or well enough for you to see the vision as I saw it.
And I remembered. I realize it now. I am seeing a face that I have tried to draw before, and my heart skips a beat to think of it. Can it be?
When I was younger — younger like 11 or 12 years old – I used to draw the face of a man that I did not know. Or rather, he wasn’t anyone that solidly existed, that could easily be pinned down. Sometimes I thought that I’d made him up, that he was simply an amalgam of pretty facial features — a young man with long, light-colored hair, with larger than average, strikingly bright-colored eyes, an aquiline nose, finely arched eyebrows, and a smile that I wasn’t sure if it was meant to be a flirtatious grin or a sarcastic smirk. Most of the time I would draw him clean-shaven, but sometimes I would practice drawing facial hair – usually a well-groomed goatee or a Van Dyke beard. I’d always envisioned his ears being pierced (even though in the late 70’s/early 80’s, it was still considered rather bold and overly flamboyant for a man to have pierced ears, especially in the right ear…)
But nonetheless, this man had jewelry and his face was a mixture of traditionally masculine features (angular jaw, an Adam’s apple, whiskers/facial hair) and feminine features (long eyelashes, high cheekbones, thinly arched eyebrows). He was, to put it mildly, a very pretty man, and I often drew him in either medieval clothing or casual, almost hippie style clothing. I would always draw him into background settings, surrounded by woodlands, mountains or snow.
Over and over, I drew this man, thinking that someday I would fall in love with a man that had this face, or something close to it. Sometimes I would find myself comparing someone’s chin or someone’s eyes or the color of their hair to this man’s face, this man’s features. And I can tell you right now, that face, those features never changed. No, this man had a particular face that I loved, but never could quite find in reality. So I just kept drawing him, perfecting that face as it could be seen from a variety of angles, expressing a variety of moods.
My siblings used to tease me, that I was drawing my invisible friend.
Sometimes I would imagine him saying all sorts of clever, wonderful things to me, all the words that I’d hoped someday that somebody might say: what a friend, a lover, a confidante would say. Sometimes I would write him into stories, and they were often stories about learning and doing various activities – things I hadn’t yet learned how to do, such as how to ride a horse, or swim, or climb a tree. Sometimes I would walk in the woods, and I would imagine delightful, fantastic possibilities, almost visualizing that I might find him further along the path, sitting on a tree stump, or fishing in the river, or laying in the grass, watching the clouds.
I remember when I first experimented with smoking, oddly enough, it was easy to imagine that he smoked too. He did seem to have this smoky, fragrant scent about him that was entirely his — though I could never draw his hands holding a cigarette very well (aside of the fact that hands are notoriously difficult to draw, especially hands holding things that cast light and shadow.)
I cannot deny that I drew him so often that it seemed as if I drew him into existence somehow.
He was not simply a masculine version of myself, unless he was perhaps a part of me that I wish that I could have been.
And for many years, I drew him just so I could see his face.
It hits me like a ton of bricks today to realize that whenever I draw Loki’s face, I am drawing him; I am drawing an old friend.
And whenever I visualize Loki, I realize that I am seeing him, the handsome face of my old friend.
And I never made that connection until today.
~~~
Hail to Loki, my sweetest friend ❤
~~~
A year or so after I wrote this notebook entry, I received a message from Him, that I suspect may have been intended to make me smile:
You didn’t make Me up; rather it is that I made *you* up.
It is late.
I’m thinking about sleep.
Or rather, I’m trying to meditate.
Sometimes, they seem to be one and the same somehow. Both states seem to begin when my thoughts start to feel hazy and my body feels…strange.
At the end of a particularly trying day, I simply have to look up and let it go.
Sometimes I will imagine His warm hands upon my head. Someone once told me that He comes to me when I am sleeping because that is the only time that I’ll let my guard down completely. Perhaps I am more open then.
Sometimes I decide that I must stop thinking about how the pillows are so soft and inviting; how my head just sinks into them.
Truly, my favorite part of the day is resting with my head on those pillows and looking toward the altar by my bed, trying visualize His face, or admiring His handsome face with that wry smile, stitches and all, as depicted in the artwork on my altar.
Sometimes when I’m drifting off, I’ll see Him in my mind’s eye for a few moments.
Sometimes He’ll look like Viggo Mortensen, but with long red hair.
Sometimes, His hair is short and He looks like a cartoonish version of Himself with a simple face, bright green eyes, and impossibly red hair.
And still other times, He will look like someone I’d never expect – like Dave Grohl, Taylor Hawkins, or Ryan Gosling – and will have dark brown or blonde hair.
Sometimes He’ll even look like what one would imagine that a 11th century Viking warrior would look like – with a fur cloak and an embroidered shirt, leather britches and simple boots tied round with narrow strips of leather. He’ll have braids in His hair and beard, and He’ll be wearing an arm ring and a dagger in His belt.
He is funny that way: He never looks like I would expect at the time.
But more often than not, I will just feel Him – light touches on my head, or on the side of my face, on the back of my neck, or on my tattoos. I will sense the heaviness of His presence, or the surrounding air will feel charged with electricity.
Sometimes I will whisper to Him aloud, though most of the time, I will simply think inwardly what I am going to say.
Often, I fall asleep, chanting my words.
Sometimes I will call Him Beloved.
(Because He is.)
I will tell Him about my day, or I will simply ask that I would dream of Him, even though I rarely remember my dreams – so I’m not certain if or how often He has obliged me.
Have you ever played with the Ape of Thoth?
It’s a searchable database of Thelema texts – by verse and chapter, if one knows the number – but what makes it fun is that there is also a feature on the site that is a Thelemic text randomizer.
It’s pretty neat, actually. You type/ask a question, and it brings up a portion of text from the books of Thelema as an answer.
Which makes it so much more interesting than the Magic 8-Ball these days.
So…I have an issue that is quite emotionally-laden for me, and I was having trouble keeping a clear head about things.
So I decided to ask the Ape of Thoth for some guidance, simply typing:
What to do? RE: LOKI
[And this was the answer:]
“Continuation. Further concerning occupation.
Let the devotee transmute within the alembic of his heart every thought, or word, or act into the spiritual gold of his devotion.
As thus: eating. Let him say: “I eat this food in gratitude to my Deity that hath sent it to me, in order to gain strength for my devotion to Him.”
Or: sleeping. Let him say: “I lie down to sleep, giving thanks for this blessing from my Deity, in order that I may be refreshed for new devotion to Him.”
Or: reading. Let him say: “I read this book that I may study the nature of my Deity, that further knowledge of Him may inspire me with deeper devotion to Him.”
Or: working. Let him say: “I drive my spade into the earth that fresh flowers (fruit, or what not) may spring up to His glory, and that I, purified by toil, may give better devotion to Him.”
Or: whatever it may be that he is doing, let him reason it out in his own mind, drawing it through circumstance and circumstance to that one end and conclusion of the matter. And let him not perform the act until he hath done this.
As it is written: Liber VII, cap. v. —
22. “Every breath, every word, every thought, ever deed is an act of love with Thee.
23. “The beat of my heart is the pendulum of love.
24. “The songs of me are the soft sighs:
25. “The thoughts of me are very rapture:
26. “And my deeds are the myriads of Thy Children, the stars and the atoms.” And Remember Well, that if thou wert in truth a lover, all this wouldst thou do of thine own nature without the slightest flaw or failure in the minutest part thereof.”
All I could think upon reading the above is – what remarkably specific advice – even if it doesn’t answer the question that I thought that I was asking.
But sometimes that happens.
Perhaps this is the connection in discovering the meaning of that phrase
Love is the movement that gives substance to the Will
Hm.
Concerning Petrarch, poetry, and a question from a reader:
I read a lot of poetry, and I listen to a lot of music.
Often these two habits will intersect in my life in strange and delightful ways, especially where and when my Gods are involved.
One particular song that I have always loved is Bob Dylan’s Tangled Up in Blue.
And I came to love it even more when the Indigo Girls released their cover of that song on their live album, 1200 Curfews, in 1995.
As you may or may not know, it was not until 1997 or so that I started getting specific spiritual nudges again. And sufficed to say, this song came up a lot on the radio at that time, and as a result, I heard the Indigo Girls’ cover several times a day.
But as much as I knew the lyrics, there was one particular verse that always baffled me, however.
This one:
She lit a burner on the stove and offered me a pipe
“I thought you’d never say hello” she said
“You look like the silent type”
Then she opened up a book of poems
And handed it to me
Written by an Italian poet
From the thirteenth century
And every one of them words rang true
And glowed like burning coal
Pouring off of every page
Like it was written in my soul from me to you
Tangled up in blue.
All I could think of was…what sort of words were those? And even more so, who wrote them?
I mean, as a person who loves poetry, I could absolutely agree that poetry, in all its forms, is the highest form of word-alchemy.
As well, I would be the first to agree that good poetry certainly can and does transcend time.
But I had to, absolutely had to… find out who was that ‘Italian poet from the thirteenth century’?
And no, I don’t think that anybody really knows.
As far as I can tell, Bob Dylan has never identified any particular poet as being the poet that he references…so I began to wonder if Dylan was just simply trying to convey some universally profound fact about love and human relationships, as well as something similar to what I just wrote up there about poetry being word-alchemy.
~~~
Cut to three years ago, I was in a large retail bookstore chain, just browsing, as I often do.
If you must know, I wasn’t even in the poetry section. Because, as much as I love poetry, I hardly ever buy books of it.
So it was more than likely that I’d been skimming a Kingdom Hearts graphic novel with my kid, or trying to choose between two or three sci-fi/fantasy anthologies, or whatever, when ‘Tangled Up in Blue’ came up on the in-store music system.
I remember looking up from the book that I had been browsing, to see that someone had left a copy of Petrarchian love sonnets on the floor.
…and that exact verse – with line about an Italian poet from the thirteenth century – was the verse that was playing when I noticed that book on the floor.
And no, I didn’t buy the book. I brought it back to the poetry section and left it there.
If I bought anything, I probably purchased an anthology of short horror stories and a comic book for my kid.
But when I got home, I Googled ‘Petrarch.’ Having been an English major in college, I did know that Petrarch was an Italian poet… and just as any English major who studied poetry, I was familiar with the Petrarchian sonnet.
What detail that I didn’t know, or likewise remember, was that Petrarch wrote most of those sonnets about love and loss…in the 13th century.
In that next week or so, I hemmed and hawed about this whole thing being a ‘universal sign’…
But eventually I did purchase a book of Petrarchian love sonnets a few months later.
So.
Yes.
You may take it however you will, but that book of Petrarchian love sonnets is on my altar because of one particularly sneaky incidence of pandoramancy coinciding with a misplaced book.
🙂
I swear to Gods, I’m not a wreck all of the time.
But lately, one might think so, judging by how often I have chosen to write posts that detail my latest struggles.
So, in an effort to be more positive, I wanted to post something that makes me happy.
This is one of my Loki altars:
This altar happens to be the first thing that I see every morning and the last thing that I see every night. And, as you might imagine, it holds several devotional items that have come to have a lot of meaning for me lately.
First, there is the very large picture of Himself, a special commission that I had done (for my 43rd birthday) by talented Pagan artist, Kimberly Williams. While this picture might not be everyone’s cup of tea – as some folks are of the opinion that He has a frighteningly voracious grin – but I find His grin tremendously comforting, if not downright friendly at the end of a particularly trying day.
Secondly, there are those lovely – and powerful! -Loki prayer beads purchased from Fiberwytch on Etsy. I can’t say enough how much I love and heartily recommend Beth Lynch’s work. The beads often reflect light with a lot of fire and flash whenever I use them, and the hematite and jackfruit beads are positively silky to the touch. The sleepy fox charm, on the other hand, comes across to me as more adorable than sneaky, and that’s just fine with me.
Overall, these prayer beads are a joy to handle and use. I pack them whenever I will be away from home overnight.
Thirdly, is my latest purchase -also from Fiberwytch – a tinned candle with a wooden wick for Loki that is so strongly scented of espresso that my family often insists that I must be brewing a bottomless pot of fresh coffee in the bedroom. (Though I would imagine that He wouldn’t mind that one bit.) As well, the wooden wick does crackle like a miniature bonfire – which also sounds and smells woodsy and wonderful – creating the perfect atmosphere for Lokean meditations.
And so there you have it -three of my favorite devotional items made by two talented Pagan artisans – both of whom I would highly recommend.
~~~
Perhaps tomorrow, I will post some of my own personal artwork, crafts, and offerings that I have been making to the Gods
….as well as the beginnings of my latest long-term fun project that I’m hoping to expand upon this summer.
❤